Chapter One:
The Shadow-maker
He had already broken 3 of Annie Logue's Cardinal Rules of Acid. First,
he dropped alone. Annie says, "Keep it social. What's the point?" Then,
he left his motel room to wander aimlessly through the streets. Annie says,
"Stay indoors with a room full of toys and fractal videos, where you know
it's safe." Finally, he put his hand through the plastic face of a Coke
machine. Annie says, "Don't be a jerk." Annie was the Sage. She wrote the
book on Acid.
10 hours after digesting confetti, he found the slow-down symptoms
arriving right on schedule. His mouth started to taste like aluminum, so
he entered the laundry room of the motel he was staying in and mugged the
vending machine for a Sprite. Nobody seemed to hear the explosive crack
of Plexiglas, not even him. All he heard was the hiss of the pop top as
he pulled it open. His hand might have been broken, but he wasn't sure.
Sometimes when he came down he felt all sorts of phantom injuries. The
blood across his knuckles was real enough, though. It kept his hand as
cool as the one holding the drink.
Seventeen blades of grass shot up from a crack in the sidewalk just
outside the laundry room door. He knew there were seventeen with just one
glance. He didn't have to bother counting. They rocked back and forth in
the hurricane gale of a dryer vent, hypnotizing him, haunting him, twisting
in the middle like Sarah used to do.
"I was raped once." she said. It was such a casual remark, she could
just as easily have been talking about the humidity.
"I don't know how to react to that." he said, after a pause.
"Don't worry about it." she replied, smiling at him in consolation,
as if he were the one who had been raped.
As he sat there amidst shards of red and white plastic, he heard her
unmistakable laugh ring from around the corner. He knew what it was. Annie
called it an "Ear-lusion", but the technical term was audible hallucination.
It seemed funny to him how he only heard laughter while coming down, never
any words or music. Maybe that was a good sign that he had a happy mind.
Someone shuffled towards the doorway, spreading excellent shadows and
breathing heavily. He wasn't afraid, nor did he try to hide. He was too
fubar to do anything but listen to the scratchy footsteps come to a stop.
"Holy shit, boy! What'd you do?" chuckled a smarmy voice from the Shadow-maker
in the doorway. He was thin and sweaty and his clothes looked slept in.
A tie hung loosely from his collar.
"Wouldn't take a check." he yawned. Leaning on his greasy red hand,
he lifted himself to his feet completely unaware of the pain shooting through
his arm.
"Guess I'm outa luck, then." said the Shadow-maker.
"Help yourself. I don't mind."
"Why, thank you, young man." He made his shadow crouch as he reached
into the machine and pulled out a can of tea. "Crap, I hate this shit."
"Here." Wiping the blood onto his Spider Baby T-shirt, he reached under
the ribcage of the machine until his entire forearm disappeared. Four seconds
later, he emerged with another Sprite.
"Thanks." The Shadow-maker opened the can and wiped it across his forehead,
like he had just finished some heavy lifting. "That's a lot of blood."
he said, pointing towards Spider Baby. His lips didn't move much when he
spoke.
"Relax. It ain't mine." The Shadow-maker smiled for a second, then
drew a length from the Sprite.
"What'd you do? Kill someone?" An empty glare was his only response.
"Girl or guy?" Still nothing. Just an involuntary look of gravity. The
Shadow-maker laughed and threw up his hands in self-defense. "Hey. I could
care less. It's just that, for me, ain't no bigger thrill than killin'
a chick."
Annie says, "When your back starts aching and your stomach twists at
a thought, find a preoccupying activity." His back didn't hurt yet, but
he definitely felt sick all of a sudden.
"Did you know this guy?" he asked Sarah.
"No." she said.
"You ever kill a chick?" asked the Shadow-maker.
"Couple times. Why?" He felt safe behind his lies. The more lies he
surrounded himself with, the less exposed he felt.
"Ever do it in front of a camera?" The Shadow-maker gasped into the
tin can as he drank from it.
"No." he said.
"What's your name, kid?" Suddenly, the butt of a pistol peeked around
the waist of the man.
"Jim Disney." Annie kept him calm.
"Well, Jim," as a roll of cash flew from a pocket, "I got two thousand
dollars for you if you wanna try it. Perfectly safe. I've been doing' it
f'years."
Jim stared at the dull green wad, frozen by the proposal. "Who?"
"Shit, I dunno. Some hooker. Got her in my room upstairs right now."
His pointy mouth grew a frightening smile and he held out the money. "She's
a doll, too. Whaddaya say?"
Annie says, "Those black and white cartoon sliders behind your eyes
may seem scary at the time, but remember, it's just brain-TV. Mental fodder.
Some of the most influential creative experiences are merely hallucination,
dreams, so don't be afraid to explore."
"OK." said Jim.
The Shadow-maker led him up the cast metal stairway to a room four
doors down from his own. The lights were on but Jim detected no movement
through the curtains. Sliding the key into the lock, the Shadow-maker stopped
and looked at Jim. "There's a lot of money in snuff. If you like this,
I could probably use you in the future." A sharp tooth cut his wiry grin.
"I dunno. I got a feeling you got hidden talent." He almost laughed, like
he knew a secret Jim should know.
A few bubbly chips of orange paint fell from the door as it opened.
Inside, spread out naked on the bed, was the hooker. She slept, but not
peacefully. Beneath her, a large sheet of dark red plastic had been unfolded,
completely covering the bed and most of the floor. The door closed firmly
behind them. "Go ahead. Check her out."
As his host stepped past a video camera and into the bathroom, Jim
took a seat on the bed beside the girl and watched her brow furrow in her
sleep. She moaned from somewhere distant and twisted slightly, crinkling
the tarp like a plastic diaper. He touched the side of her face. She was
beautiful.
"Were you scared?" he asked Sarah. "I mean. . . did you scream?"
"Yes." she said. "No."
"Jesus. Why the hell are you telling me this? How the hell am I
supposed to feel?" And then Sarah got really upset.
"She's sweet, huh?" said the Shadow-maker as he doused Jim and his
prey in solid white light. The flood devoured every shadow except the man's.
Quietly, casually, Jim pinched the girls soft, healthy bottom lip. She
slowly woke up.
He stood and stepped over to the sink, trying to recall where he had
seen that face in the mirror before. Behind him, the girl started squirming.
Realization hit her like a slow-motion bullet.
"Hey, baby. Settle down. You'll get your money." Her movements were
slow and ineffective, like she was already dead, trying to return from
the grave. Whatever it was she had been given must have been strong stuff.
"Jim, c'mere. Before she starts screamin'."
The gun was drawn, and Jim could see it had a silencer. The Shadow-maker
set it down on the dresser and took position behind the camera. "Stand
over there, behind the lamp. Don't worry. You're off camera."
Pulling a towel from the rack, he scooped up the gun. It was difficult
to squeeze his finger behind the trigger while wrapped in terry cloth,
but he wasn't going to be stupid. The girl's moaning became a percolation
of sobs as she fought her own weakness. Jim took his mark.
"Tag her in the neck. That's good for blood and it'll keep her quiet.
Think you can do that?" The Shadow-maker was apparently getting quite aroused
as his breath started shaking. "Whenever you're ready."
Jim looked into the girl's eyes, through the narcotic fog, and saw
the fears of the world screaming at him. He was in complete control of
everything. He held her life in his hand, wrapped in a towel.
"We're rolling." and Jim pulled the trigger.
The pistol chirped and the Shadow-maker fell like a puppet with his
strings cut. The girl found her voice and gurgled a cry as Jim dropped
to his knees beside her. Firmly he pressed the gun into her hand.
"I think you got him in the cheek." he said, brushing her eyebrow quickly.
She stared at the heavy object in her hand, unsure of what it was. He then
moved behind the camera and pulled the roll of money from the deadman's
pocket. He looked at it, at the corpse, at the girl, and sighed. Removing
one hundred and eighty dollars for himself, he tossed the rest on the bed.
A flashing red light told him the camera was still running. Examining
the camera, he ejected the tiny tape and slipped it in his back pocket.
A shiver rocked him sideways as he reached for the door. It was tremendous,
like God had taken him by the shoulder and snapped him open like a beach
towel.
"Don't worry." Annie says. "Just means you're waking up."
Return
to That Chemical Reflex